Given my religious allegiances, and my amateur interest in the possibilities of sequential art (not to be confused with the actual expertise of our own pravdakid, of which see below), it was probably inevitable that I would end up directing readers to this story. And for those of you who aren’t into the whole “Christian” thing; the very notion of a British artist of African heritage using a Japanese variation on a medium generally associated with twentieth century American popular culture, in order to update a several thousand year-old text from the Middle East, should be interesting simply as an example of the emerging, global ecumene, if nothing else.
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